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"The Passing Bells" Readers Digest 1979 |
Cecil graduated from the Johannesburg Art
School with the highest honours, receiving the gold medal and was
immediately hired by the Central Companies Advertising, J. Walter
Thompson Advertising and Zyl Associates and Schulty, to serve as
Artistic Director. He was also hired by other large companies such as
Peugeot, Chrysler, Rank Xerox, SA Railways, Alitalia, South African
Breweries (Castle laer), Nederburg Wine Estate, Diary Board, Loveable
Undergarments. His genuine and passionate interest in
photographic images also made him lean towards graphic design and so to
carry out a career as an illustrator at international level he needed to
be somewhere like London, New York or Los Angeles. He left Cape Town for
London with his wife Nola and their children Reinout and Sonia, 4 and 2
years old, arrived in 1969 and settled in Richmond where he is still
living and working. Cecil joined Artist Partners in a
studio in the centre of Soho which was the "Mecca" of most of the
illustrators in Europe. His reputation and the recognition of his works
were growing through a huge amount of work for publishers and
advertising agencies concentrating on sports championships or major
world events of the moment, such as the Olympic and Commonwealth Games,
posters for the BBC, Sunday Independent and movies.
His works for the
Readers Digest, The Sunday Telegraph, The Observer, for magazines or
books can be numbered in the hundreds. There was also work for the "Race
Against Time", which were then produced as limited editions art. Magazines were major customers for Cecil,
making several series for Woman's Own, Woman's Realm, and The Journal.
Another area in which he was also very
active was portraits, counting among them those of the main heads crowns
of Europe, the Royal Mint, a poster of Princess Anne on her horse
Doublet when she won the European Championship painted for Sun
Publications and many posters for films such as Play It
Again, The Eagle Has Landed, The Molly McGuires and O Lucky Man!
In the 70s and 80s Cecil had a highly
successful career as an illustrator, and found work performing all
styles and techniques for all kinds of events and personalities but due
to health problems, ended his career as an illustrator in the 90s.
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Some examples of Cecil's covers for PAN from 1973 to 1991
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PAN
0330 102532 from 1973
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PAN 0330 300016 from 1979
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Cecil with the original artwork for "Horns of the Moon" |
PAN
0330 262548 from 1981
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Cecil with the original artwork for "Lottie Trago"
and "Polrudden"
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Original artwork for "Lottie Trago" |
PAN
0330 315390 from 1991 |
Original artwork for "Polrudden" |
PAN
0330 296949 from 1987 |
Original artwork for "Cry Once Alone"
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PAN 0330 291157 from 1986 |
Original artwork for "The Dream Traders" |
PAN
0330 268589 from 1983 |
Original artwork for "The Music Makers"
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PAN
0330 262769 from 1982
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Original artwork for "The Restless Sea"
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PAN 0330 285432 from 1985 |
PAN 0330 321552 from 1992 |
Some more non PAN examples of Cecil's work
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Fontana
0006 147720 from 1977 |
Fontana
0006 1147763 from 1977 |
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Original artwork by Cecil |
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Fontana
0006 147712 from 1977 |
Fontana
0006 147755 from 1977 |
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Original artwork by Cecil |
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Fontana
0006 147895 from 1978 |
Arrow 0099 407108
from 1985 |
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Original artwork by Cecil |
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Arrow 0099 308304 from 1982 |
Arrow 0099 299801 from 1982 |
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Original artwork by Cecil |
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Arrow 0099 283107
from 1982 |
Arrow 0099 346907 from 1984 |
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Arrow 0099 253901
from 1981 |
Arrow 0099 272202 from 1981 |
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Arrow 0099 329204
from 1984 |
Sphere
0722 117264 from 1978 |
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Film poster
from 1976 |
Film poster from 1972 |
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Film poster
from 1970 |
Film poster concept for
"The Wild Geese" from 1978 |
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Film poster from 1987 |
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Reader's
Digest Condensed Books 1978 |
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Reader's
Digest Condensed Books 1979 |
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Reader's
Digest Condensed Books 1977 |
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Reader's
Digest Condensed Books 1978 |
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TV Times
Christmas Special 1983 |
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Original
card artwork by Cecil |
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'Myths and
Legends' card and album from 1981 |
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Telegraph
magazine for the BBC TV programme 'Pot Black' |
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A selection
of artwork from Cecil,. If anyone can name for where it was used please
get in touch. |
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